Classic Hits
Aluminium Art
About: This neon print captures the electrifying energy of Freddie Mercury's iconic "Bohemian Rhapsody." The image of Freddie, surrounded by lightning, evokes the song's tempestuous atmosphere. Hidden details, like a Galileo sketch and a couple dancing the fandango, pay homage to the song's intricate composition. The centerpiece, the band's name in neon lights, celebrates Queen's legacy.
Medium: Photographic print of original neon artwork
Materials: Aluminium
Size: 80cm x 80cm (82 × 82cm Framed)
Edition: 5 signed and numbered
Frame: Artwork float mounted in a 6mm wide, 30mm deep walnut frame with a 4 mm shadow gap.
Media: Watch the Queen “Bohemian Rhapsody” video from 1976 which inspired this piece :
About: This reproduction of a neon artwork captures a pivotal moment in Elvis Presley’s life — his 1960 de-mob mugshot, taken just as he prepared to leave the army and step into a new chapter of fame. In this striking piece, the King confidently holds a glowing neon sign that playfully references his breakthrough hit “Heartbreak Hotel” — the song that launched him into rock ‘n’ roll legend in 1956.
Yet beneath the rebellious swagger lies a deeper spiritual undercurrent. The neon sign reading “Sorry, No Vacancy” becomes a modern parable: Even the biggest star in the world can find no room at the inn. Elvis stands at the threshold of leaving the army behind and stepping into superstardom. In the bright lights of fame, he’s both the ultimate star and a man who still feels the loneliness that often comes with it.
Made with signature aluminium and glowing neon, the piece turns a simple mugshot into something powerful and timeless. It quietly reminds us how quickly worldly success can come and go, and how even the biggest stars long for something deeper and more lasting.
Medium: Photographic print of original neon artwork
Materials: Aluminium
Size: 80cm x 80cm (82 × 82cm Framed)
Edition: 5 signed and numbered
Frame: Artwork float mounted in a 6mm wide, 30mm deep walnut frame with a 4 mm shadow gap.
Media: Watch Elvis perform "Heartbreak Hotel"
About: This thought provoking art draws inspiration from the iconic Beatles record, "Revolution", which captured the essence of rebellion with its infectious guitar riffs and defiant lyrics. It became an anthem of the anti-establishment movement in the late 1960s, reminding us to question authority and embrace change. It also finds its groove in the powerful counterculture track, "The Revolution Will Not Be Televised" by Gil Scott Heron. Through his biting social commentary, he emphasizes that change and revolution will not be conveniently broadcasted and consumed like an entertainment spectacle and that it requires active participation and cannot be passively observed on a television screen.
Enter the artwork itself – a portable black and white Sony TV from the late 1960s, recreated with skillful neon glass tubes outlining its form. The backdrop flaunts horizontal lines - a nostalgic sight on old-school black and white TVs of that era. On this TV screen, you'll witness The Beatles rocking out on the Ed Sullivan show in 1964. It was a historic moment, drawing a staggering 73 million people in front of their TV sets. The pop culture revolution had begun…. The artwork seamlessly combines all these influences into a captivating story. It embraces the power of the past and reminds us of the transformative potential within our modern world.
Medium: Photographic print of original neon artwork
Materials: Aluminium
Size: 80cm x 80cm (82 × 82cm Framed)
Edition: 5 signed and numbered
Frame: Artwork float mounted in a 6mm wide, 30mm deep walnut frame with a 4 mm shadow gap.
Media: Watch the moment The Beatles perform “Twist and Shout” on the Ed Sullivan show in 1964 :
About: This print captures David Bowie during his iconic Ziggy Stardust phase in an exploration of one of the defining pop and rock music moments of the 1970s. Bowie is staring out into the cosmos, resplendent in his Ziggy Stardust persona, sporting a gravity-defying spiked mullet, and confidently flaunting a woman's earring.
The backdrop is a striking maze of electronic circuit boards, and nestled within this futuristic landscape, you'll discover the enigmatic presence of an "electric eye" operating manual, hinting at the mysterious narrative of “Moonage Daydream” lyrics. The split-screen storytelling present in this piece represents one of Bowie's most celebrated tracks, "Moonage Daydream," from the seminal Ziggy Stardust album of 1972.
Medium: Mixed media artwork by Louis Sidoli
Materials: Print on aluminium
Size: 80cm x 80cm (82 × 82cm Framed)
Edition: 5 signed and numbered
Frame: Artwork float mounted in a 6mm wide, 30mm deep walnut frame with a 4 mm shadow gap.
Media: David Bowie perform “Moonage Daydream” at the Hammersmith Odeon in 1973 with a Mick Ronson guitar solo that elevates this performance to one of the best of Bowie’s career:
About: About: With Debbie Harry as its centerpiece, oozing ice-cool attitude in her classic sunglasses, this piece captures the very essence of punk and the raw edginess that defined Blondie's raw unedited early music. Inspired by a hidden gem in Blondie's 1977 "Plastic Letters" album, this piece exudes rebellious punk rock attitude.
Taking its name from the Oldsmobile 442, the infamous American muscle car, it tells the tale of a young rebel forced into the monotonous world of car assembly amid bleak imagery of concrete factories and assembly lines. The collage style artwork featuring a vintage Detroit map and eye-catching Oldsmobile 442 marketing materials from the period.
Medium: Mixed media artwork by Louis Sidoli
Materials: Print on aluminium
Size: 80cm x 80cm (82 × 82cm Framed)
Edition: 5 signed and numbered
Frame: Artwork float mounted in a 6mm wide, 30mm deep walnut frame with a 4 mm shadow gap.
Media: Watch the official Blondie video for “Detroit 442” which inspired this piece :
About: "Like a Prayer," released in 1989, is one of Madonna’s most iconic and controversial hits, serving as the lead single from her fourth studio album of the same name. The song, blending pop, gospel, and rock elements, was a commercial success, topping charts worldwide and solidifying Madonna’s status as a cultural icon. "Like a Prayer" explores the intersection of spirituality and sexuality, with Madonna using religious metaphors to convey intense personal devotion.
In the portrait Madonna is pictured in a large Catholic Church kneeling at the altar with a microphone in her hands, inspired by her performance of the track in concert in 1990 during her “Blonde Ambition” tour which became one of her most iconic visual looks. In the background two neon signs are hanging from large wooden crosses with the lyrics from the track: “I’m down on my knees, I wanna take you there” encapsulating the duality of both praying and romantic longing.
Medium: Mixed media artwork by Louis Sidoli
Materials: Print on aluminium
Size: 80cm x 80cm (82 × 82cm Framed)
Edition: 5 signed and numbered
Frame: Artwork float mounted in a 6mm wide, 30mm deep walnut frame with a 4 mm shadow gap.
Media: Watch Madonna perform "Like A Prayer" on Blonde Ambition Tour 1990":
About: "Waterloo" was written specifically by ABBA to be entered into the 1974 Eurovision Song Contest in Brighton UK, after the group finished third with "Ring Ring" the previous year in the Swedish pre-selection contest, Melodifestivalen 1973. The song differed from the standard "dramatic ballad" tradition of the Eurovision Song at the time with its glam rock influence. The song shot to No. 1 in the UK and stayed there for two weeks, becoming the first of the band's nine UK No. 1's. This artwork features both lead vocalists Agnetha Fältskog and Anni-Frid Lyngstad in their military inspired costumes that they wore at the song contest final including Agnetha’s iconic blue crochet skull cap.
Medium: Printmaking
Materials: Brushed aluminium with a high gloss finish
Aluminium Size: 80cm x 80cm
Framed Size: 84.4cm x 84.4cm
Edition: 5 signed and numbered
Frame: Oak
About: Featured in the "Golden Years" exhibitions, this limited edition was inspired by the track “Rock N Roll Suicide” from the Ziggy Stardust album of 1972. It references “Gitane” French cigarettes that Bowie was famous for smoking in the 70’s and 80’s. It depicts smoke drifting out of a pair of lips in the French tricolour. The main image is based on the original mugshot of David Bowie who was arrested on March 21, 1976, after a performance in Rochester, New York. About half a pound of a “certain substance that you smoke” was confiscated by the police. Bowie was held with three others including Iggy Pop, for several hours and then released on $2,000 bond. Bowie later pleaded not guilty and a grand jury decided to pass on the case.
Medium: Printmaking
Materials: Brushed aluminium with a high gloss finish
Aluminium Size: 50cm x 75cm
Framed Size: 54.4cm x 79.4cm
Edition: 10 signed and numbered.
Frame: White Maple
About: Amy Winehouse had such an iconic image with her beehive hairdo and eye make up that it’s possible to see exactly who the portrait is even though only part of her face is visible. It references the title of her second and final studio album “Back To Black” released on 27 October 2006.
Medium: Printmaking
Materials: Brushed aluminium with high gloss finish
Aluminium Size: 70cm x70cm / 80cm x 80cm / 100cm x 100cm
Edition: 10 signed and numbered
Frame: Float mounted in a black oak frame
About:
Inspired by U2's iconic track "Even Better Than The Real Thing," this cutting edge artwork delves into the enigmatic realm of virtual reality and artificial intelligence, asking us to question the very fabric of our reality. The artwork presents a wireframe virtual setting with a medley of captivating objects gracefully floating around in a cube: a satellite dish, a plane, a brave astronaut, and an iconic Trabant car (Paying homage to U2's early 90s imagery)
A stroke of irony is introduced by the inclusion of a Warhol-inspired coke bottle and the timeless Coca Cola slogan "It's the real thing." The artwork conveys the notion that while our perception of reality may falter in the 2020’s as we navigate what is real and what is fake, there remains an unwavering certainty in the age old truth and authenticity of Coca Cola !
Below: Watch the U2 video “Even Better Than The Real Thing” which inspired this piece.
Materials: Mixed media on a brushed aluminium plate with a flawless high gloss finish. Mounted on matt black aluminium with a precision machined finishing strip.
Framed Size: 97cm x 97cm
Edition: Original 1/1 signed by artist.
About:
This sleek aluminium artwork captures the essence of the timeless 1979 classic "He's the Greatest Dancer" by Sister Sledge, a masterpiece written and produced by the iconic Nile Rodgers and Bernard Edwards of Chic and infused with their signature funk disco grooves.
The artwork takes us on a journey to Studio 54, where disco, glamour, and fashion reigned supreme. The carefully curated elements intertwine seamlessly to narrate the story behind the record. The mesmerizing backdrop of meticulously arranged disco balls are reminiscent of a polka-dot fabric, referencing the renowned American fashion icon, Halston, who is name checked in the lyrics and who was an integral part of the Studio 54 "Fashion Pack." At the top the artwork, Halston himself is depicted in a vintage fashion advert.
Dominating the foreground, a magnanimous large pair of "Disco Lips" belt out one of the record's most iconic lines: "Halston, Gucci, Fiorucci." The bodybuilder depicted is Mr. America of the 1970s: Frank Zane. He represents the legendary line: "He had the kind of body that would shame Adonis."
Below: Watch the Sister Sledge video from 1979 “He’s The Greatest Dancer” which inspired this piece.
Materials: Mixed media on a brushed aluminium plate with a flawless high gloss finish. Mounted on matt black aluminium with a precision machined finishing strip.
Framed Size: 97cm x 97cm
Edition: Original 1/1 signed by artist.
Artwork Inspiration:
This mixed media aluminum artwork takes inspiration from the pulsating rhythm of English DJ James Hype's 2022 global club hit "Ferrari," - a song that captures the intensity of romantic desire through the metaphor of a high-speed car. The phrase 'You still make my heart beat fast, Ferrari' suggests that the person the singer is addressing has a powerful effect on them, akin to the out of control adrenaline rush you feel when being driven in a Ferrari.
The artwork mirrors the song's metaphor featuring anatomical engravings of a human heart and double halftone screen prints of the Ferrari Testarossa, which was an automotive icon of the 1980’s / 90’s driven by many celebrities such as Mike Tyson, Michael Jordon and Dr Dre to name a few. The choice of the Testerossa hints at an underlying message: True passion can be timeless, just like a classic car that retains its appeal despite the passage of years !
Below: Watch “Ferrari” by DJ James Hype featuring Miggy Dela Rosa
Materials: Mixed media on a brushed aluminium plate with a flawless high gloss finish. Mounted on matt black anodised aluminium with a precision machined black anodised finishing strip.
Framed Size: 97cm x 97cm
Edition: Original 1/1 signed by artist.
Artwork Inspiration:
Step into the vibrant gritty world of the classic film "Saturday Night Fever" in this portrait capturing John Travolta as the iconic Tony Manero. Transporting you back to the summer of 1977, this mixed media aluminium artwork flawlessly encapsulates his hot-blooded spirit in the role as a charming and rebellious young Italian-American with an insatiable hunger for dance, women and adventure !
The backdrop is a map of Brooklyn's mean streets - the scene for Tony's Saturday night escapades. Travolta is frozen in time in front of a mirror, getting ready on a Saturday night to conquer the dance-floor and engrossed in the act of blow-drying his quaffed hair with a vintage “General Electric” hairdryer. His gaze reflects the coolness and confidence that made Tony Manero a true legend.
For fans of the film and enthusiasts of 70s pop culture, this artwork is full of clever details and storytelling. From the “Coca Cola” inspired typography which represents “America” to the vintage 1970’s dance manual showing how to “Do the Hustle”, this piece embodies the very essence of "Saturday Night Fever”.
Below: Watch the legendary Bee Gees and their hit "Night Fever" with highlights from the film.
Materials: Mixed media on a brushed aluminium plate with a flawless high gloss finish. Mounted on matt black anodised aluminium with a precision machined finishing strip.
Framed Size: 97cm x 97cm
Edition: Original 1/1 signed by artist.
About: "Faith" was released in October 1987 as the title track from George Michaels’s debut album of the same name. It held the number-one position on the Billboard Hot 100 chart for four weeks and was the number-one single of the year in the United States in 1988. The song also reached number two on the UK Singles Chart.
The artwork features a side profile of George Michael, his gaze fixated on a vibrant neon religious cross. The neon flawlessly weaves the title of the track, "FAITH," into its intricate glass design.
As you delve deeper into the artwork, you'll discover vintage print elements, paying homage to the track that took the world by storm. From the legendary BSA logo, prominently featured on George's leather jacket and a silhouette of the maestro himself gripping a guitar that echoes the imagery of the music video. The artwork also tastefully incorporates a cross-shaped fusion of a guitar and dance diagram steps, also influenced by early Andy Warhol works.
The backdrop of the piece is adorned with an intricate map of West London, an homage to Sarm West studios where the magic of "Faith" was first captured.
Medium: Photographic print of original neon artwork
Materials: Aluminium
Size: 80cm x 80cm (82 × 82cm Framed)
Edition: 5 signed and numbered
Frame: Artwork float mounted in a 6mm wide, 30mm deep walnut frame with a 4 mm shadow gap.
Media: Watch George Michael music video for “faith” :
Artwork Inspiration:
This mixed media aluminium piece captures David Bowie during his iconic Ziggy Stardust phase in an exploration of one of the defining pop and rock music moments of the 1970s.
Bowie is staring out into the cosmos, resplendent in his Ziggy Stardust persona, sporting a gravity-defying spiked mullet, and confidently flaunting a woman's earring. Yet, there's more to this artwork than meets the eye. The backdrop is a striking maze of electronic circuit boards, and nestled within this futuristic landscape, you'll discover the enigmatic presence of an "electric eye" operating manual, hinting at the mysterious narrative of “Moonage Daydream” lyrics.
But why electronic circuit boards, you may wonder? Well, they are also a fascinating nod to the artist Louis Sidoli himself. Long ago in the 1980’s, Louis Sidoli started his career as an electrical designer. Thus, they aren't just an aesthetic choice, they represent his technical background, merging seamlessly within the fabric of the work.
The split-screen storytelling present in this piece represents one of Bowie's most celebrated tracks, "Moonage Daydream," from the seminal Ziggy Stardust album of 1972. Through an interplay of space invaders and bold graphics, this artwork encapsulates the individuality and mystique that Bowie effortlessly conjured during his glam rock pinnacle.
Below: Watch David Bowie perform “Moonage Daydream” at the Hammersmith Odeon in 1973 with a Mick Ronson guitar solo that elevates this performance to one of the best of Bowie’s career:
Materials: Mixed media on a brushed aluminium plate with a flawless high gloss finish. Mounted on matt black anodised aluminium with a precision machined finishing strip.
Framed Size: 97cm x 97cm
Edition: Original 1/1 signed by artist.
Artwork Inspiration:
This mixed media aluminium piece captures David Bowie during his iconic Ziggy Stardust phase in an exploration of one of the defining pop and rock music moments of the 1970s.
Bowie is staring out into the cosmos, resplendent in his Ziggy Stardust persona, sporting a gravity-defying spiked mullet, and confidently flaunting a woman's earring. Yet, there's more to this artwork than meets the eye. The backdrop is a striking maze of electronic circuit boards, and nestled within this futuristic landscape, you'll discover the enigmatic presence of an "electric eye" operating manual, hinting at the mysterious narrative of “Moonage Daydream” lyrics.
But why electronic circuit boards, you may wonder? Well, they are also a fascinating nod to the artist Louis Sidoli himself. Long ago in the 1980’s, Louis Sidoli started his career as an electrical designer. Thus, they aren't just an aesthetic choice, they represent his technical background, merging seamlessly within the fabric of the work.
The split-screen storytelling present in this piece represents one of Bowie's most celebrated tracks, "Moonage Daydream," from the seminal Ziggy Stardust album of 1972. Through an interplay of space invaders and bold graphics, this artwork encapsulates the individuality and mystique that Bowie effortlessly conjured during his glam rock pinnacle.
Below: Watch David Bowie perform “Moonage Daydream” at the Hammersmith Odeon in 1973 with a Mick Ronson guitar solo that elevates this performance to one of the best of Bowie’s career:
Materials: Mixed media on a brushed aluminium plate with a flawless high gloss finish. Mounted on brushed anodised aluminium with a precision machined finishing strip.
Framed Size: 97cm x 97cm
Edition: Original 1/1 signed by artist.
Aluminium Gift Editions
About: This artwork evokes the live "Space Oddity" performance by David Bowie during his 1974 North American Diamond Dogs tour , where he was often elevated above the audience on a cherry picker, singing into a phone prop as Major Tom reaching out into the void.
With his signature flame-orange hair, mint-green shirt, red braces, and bright blue trousers, he sits on stage holding the red telephone to his ear, a traditional symbol of urgent communication - his eyes closed in quiet reflection.
The central themes of the song / performance are isolation, alienation, and detachment. Major Tom’s physical separation from Earth mirrors emotional or psychological disconnection: from society, relationships, purpose, or even one’s sense of self. The final lines convey a calm, almost accepting resignation in the face of the vast unknown (“Planet Earth is blue / And there’s nothing I can do”)
Set against the backdrop of Planet Earth in a star-filled cosmos and illuminated by dramatic stage spotlights, the image preserves the vibe of Bowie’s theatrical 1974 presence. In this artwork, the red phone becomes a hotline to the Divine, while Bowie holds a rosary in his free hand, transforming the call into a personal conversation with something greater.
Medium: Mixed media digital art
Colour: Full HD colour
Materials: White Aluminium base with high gloss finish
Size: 40×40cm or50x50cm Framed
Edition: 10
Frame: Solid anodised white aluminium
About: This artwork captures Liam (Louis Sidoli collector) and Noel Gallagher, the iconic brothers of Oasis, poised in boxing gloves in a gritty boxing gym setting. This piece embodies their famously turbulent relationship, with the duo squared up as if ready to spar, reflecting their well-documented brotherly fights. A glowing red neon sign in the background blares "Don't Look Back in Anger," a clever nod to their best selling anthem which is about letting go of past regrets and moving forward without being weighed down by past grievances - all perfectly timed with their reunion for the sold-out Oasis Live '25 !
Medium: Mixed media artwork.
Colour: Black half-tone print on copper background.
Materials: High grade brushed Aluminium with a high gloss finish
Size: 41cm × 51cm (framed)
Edition: 20 signed and numbered
Framing: Artwork float mounted in a 75mm extra-deep black anodised aluminium frame with a 4mm shadow gap.
About: “Waterloo was written specifically by ABBA to be entered into the 1974 Eurovision Song Contest in Brighton UK, after the group finished third with "Ring Ring" the previous year in the Swedish pre-selection contest, Melodifestivalen 1973. The song differed from the standard "dramatic ballad" tradition of the Eurovision Song at the time with its glam rock influence. The song shot to No. 1 in the UK and stayed there for two weeks, becoming the first of the band's nine UK No. 1's. This artwork features both lead vocalists Agnetha Fältskog and Anni-Frid Lyngstad in their military inspired costumes that they wore at the song contest final including Agnetha’s iconic blue crochet skull cap.”
Medium: Printmaking
Materials: Brushed aluminium with high gloss finish
Size: 40x40cm, 50x50cm
Edition: 5 each size signed and numbered
Frame: Float mounted in black anodised aluminium frame
About: Amy Winehouse had such an iconic image with her beehive hairdo and eye make up that it’s possible to see exactly who the portrait is even though only part of her face is visible. It references the title of her second and final studio album “Back To Black” released on 27 October 2006.
Medium: Printmaking
Size: 40x40cm, 50x50cm
Edition: 10 each size signed and numbered
Frame: Float mounted in natural anodised aluminium frame
About: George Michael rose to fame as a member of the music duo Wham! and later embarked on a successful solo career. He sold over 80 million records worldwide making him one of the best-selling music artists of all time. This piece was inspired by the music video for the 1998 single “Outside” and references the infamous LA public toilet incident.
Medium: Hand pencil sketch by artist, printmaking
Materials: Aluminium with high gloss finish
Size: 40x40cm, 50x50cm
Edition: 5 each size signed and numbered
Frame: Float mounted in black anodised aluminium frame
About: "Faith" was released in October 1987 as the title track from George Michaels’s debut album of the same name. It held the number-one position on the Billboard Hot 100 chart for four weeks and was the number-one single of the year in the United States in 1988. The song also reached number two on the UK Singles Chart.
The artwork features a side profile of George Michael, his gaze fixated on a vibrant neon religious cross. The neon flawlessly weaves the title of the track, "FAITH," into its intricate glass design.
As you delve deeper into the artwork, you'll discover vintage print elements, paying homage to the track that took the world by storm. From the legendary BSA logo, prominently featured on George's leather jacket and a silhouette of the maestro himself gripping a guitar that echoes the imagery of the music video. The artwork also tastefully incorporates a cross-shaped fusion of a guitar and dance diagram steps, also influenced by early Andy Warhol works.
The backdrop of the piece is adorned with an intricate map of West London, an homage to Sarm West studios where the magic of "Faith" was first captured.
Medium: Matt photographic print of original neon artwork
Materials: Printed on white aluminum
Size: 40x40cm
Edition: 10 signed and numbered
Frame: Float mounted in a white anodised aluminium frame 50mm deep
About: “Young Americans” Depicts David Bowie in August 1974, stepping out of his Lincoln Continental limousine, ready to enter the “Sigma Sound Studio” in downtown Philadelphia to record the “Young Americans” album. The album was released on March 7th 1975 and showcased Bowie's interest in black soul and R&B music. It was Bowie's breakthrough in the USA, reaching the top 10 on the Billboard chart. The single "Fame" from the album became Bowie's first number one hit single.
Medium: Digital artwork
Materials: Aluminium with a high gloss finish
Size: 53cm × 40cm (55cm x 42cm framed)
Edition: 10 signed and numbered
Frame: Float mounted in a white aluminium frame 50mm deep
Neon Art
About: Voulez Vous; (French for "Do you want?") is the sixth studio album by the Swedish supergroup ABBA, released on 23 April 1979. which featured a single of the same name. Abba had moved on from their early 1970’s glam rock period and started to embrace disco music, which was at its peak at the time. The album topped the charts in a number of countries and was one of the top five-selling albums in the UK for that year. This neon artwork is a re-imagined 3D version of the album cover using a similar photo which was taken at Alexandra's night club in Stockholm, which hinted at the disco theme. The reflective surface of the brushed aluminium artwork and the real glass neon lights replicate the original photo which features the group standing in a reflective mirrored room with Agnetha and Frida holding a neon tube. The neon lights provide the perfect medium for this image with its 1970’s disco vibe.
Medium: Print, graphics, neon art
Materials: Brushed aluminium with high gloss finish and hand blown traditional glass neon tubes.
Aluminium Size: 95 x 95cm
Framed size: 99.4 x 99.4cm
Edition: 5 signed and numbered by artist.
Frame: Float mounted in oak.
About:
This artwork chronicles the iconic story behind the single that catapulted Prince to superstardom and reached No7 in the UK in 1983. Later, it was re-released as a double A-side with "1999", peaking at number two on the UK Singles Chart in January 1985. The song depicts an encounter with an alluring sexually promiscuous woman, unfolding through a series of cheeky automotive sexual innuendos !
Prince is depicted in his flamboyant attire from the early 1980s, capturing the essence of his unrivaled charisma. Serving as a scenic backdrop, a vintage map of Minneapolis, Prince's cherished hometown and the location of his recording sanctuary, Paisley Park, exudes an air of reverence. An actual engineering drawing of an early 1980s Corvette seamlessly intertwines with the musical narrative, and is a subtle nod to the artists own automotive background.
At the heart of this artwork is a traditional neon sculpture, meticulously crafted with intricate clear glass and filled with neon and argon gas. Its luminous retro glow, lights up the surrounding space, transforming it into a mesmerising one-of-a-kind creation. The glass tubes remain completely transparent when the artwork is switched off.
Below: Watch the Prince official video for “Little Red Corvette” which inspired this piece.
Details: Traditional hand crafted clear glass vacuum tubes containing argon and neon gas. Mounted on mixed media brushed aluminium with a flawless high gloss finish.
Framed Size: 101cm x 101cm
Edition: Original edition of 3 + 1AP
About:
Sinatra swagger from Blue Eyes himself himself dodging a nuclear bomb under neon lights. Inspired by Sinatra's iconic "That's Life" and its recent resurgence in the 2019 Joker movie, this artwork carries personal meaning for the artist, weaving multiple layers of clever messages and symbolism.
At the center, we see Sinatra superimposed on the classic Warner Brothers Looney Tunes "That's All Folks" ending sequence. A stark contrast unfolds against this familiar cartoon backdrop: a nuclear bomb explodes in the background, juxtaposed with a vibrant magenta neon sign pulsating with Sinatra's signature lyric, "That's Life Folks."
This imagery represents the harsh realities of life. When faced with setbacks and challenges, akin to the metaphorical "nuclear bomb," going off, the artwork suggests resilience and perseverance.
Life throws "nuclear bombs," the artist says, “But like Frank says in the song, you gotta dust yourself off and get back in the race.”
Below: Watch Frank Sinatra perform “That’s Life” and scenes from The Joker which inspired this piece:
Details: Traditional hand crafted clear glass vacuum tubes containing argon and neon gas. Mounted on mixed media brushed aluminium with a flawless high gloss finish.
Framed Size: 101cm x 101cm
Edition: Original edition of 3 + 1AP
About:
A nautical-inspired neon masterpiece paying tribute to the iconic songstress Grace Jones. Drawing inspiration from her 1975 debut hit "I Need A Man" and her legendary 1980’s greatest hits compilation "Island Life," this artwork seamlessly intertwines both musical milestones and encapsulates Grace Jones' cultural impact, pushing the boundaries of art, music and gender.
Immerse yourself in the disco era with Grace dressed as a sailor, reminiscent of her late 70's period. This imagery finds its roots in a very famous image of Marlene Dietrich donning a sailor uniform. Renowned artist Richard Bernstein, a dear friend of Grace Jones and the chief designer behind Andy Warhol’s "Interview Magazine," also immortalized her in this striking sailor outfit for the back cover of her 1978 "Fame" album.
The backdrop incorporates a print collage, carefully crafted from vintage materials. Delve into her roots with a map of Jamaica, the birthplace that shaped her into the legendary performer we know today. Adding a touch of unexpected is a torn image from a 1950's gay porn magazine featuring a sailor, referencing her status as a gay icon and enhancing the artwork's playful intrigue. Stealing the spotlight at the foot of the portrait is the title of her debut disco track "I Need A Man," stenciled with engineering precision.
A delectably intelligent twist unfolds as the artwork plays with Grace Jones' gender-bending persona. The iconic neon lights depicting the "male sex symbol" are reinvented in pink feminine hues, unleashing a delightful paradox, as Grace herself embodies the essence of masculinity !
Below: Watch Grace Jones performing live in 1981:
Details: Traditional hand crafted clear glass vacuum tubes containing argon and neon gas. Mounted on mixed media brushed aluminium with a flawless high gloss finish.
Framed Size: 101cm x 101cm
Edition: Original edition of 3 + 1AP
About: This edition was Inspired by the 1979 Blondie disco classic "Heart of Glass" - the fourth single from their third studio album “Parallel Lines”, which was released in January 1979 and reached number one on the charts in several countries, including the United States and the United Kingdom. "Heart of Glass" ranked at number 66 in the UK's official list of biggest selling singles of all-time with sales of 1.32 million copies. It was inducted into the Grammy Hall of Fame as a recording of "qualitative or historical significance" in 2015. The portrait features a pencil sketch of Debbie Harry circa 1979 printed on brushed aluminium with a very literal heart of glass !
Details: Traditional hand crafted coloured glass neon tubes which are vacuum filled with argon gas and mounted on high grade brushed aluminium artwork with a flawless high gloss finish. The wood and aluminium artwork construction features ‘plug and play’ design for simple installation.
Neon art behind the scenes 2min video >
Framed Size: 99cm x 99cm
Edition: Unique 1/1 signed and numbered by artist.
Frame: Bespoke walnut.
About: This Debbie Harry portrait was inspired by her patronage of the infamous Studio 54 nightclub in the 1979-1981 period. Harry along with Andy Warhol was a regular fixture at the club which has gone down in pop culture as the greatest nightclub of all time. The neon tubes evoke the vibe of the 1970’s club scene when neon was in its commercial heyday.
Details: Traditional hand crafted clear glass vacuum tubes containing argon and neon gas. Mounted on mixed media brushed aluminium with a flawless high gloss finish.
Framed Size: 101cm x 101cm
Edition: Original edition of 5
About: With Debbie Harry as its centerpiece, oozing ice-cool attitude in her classic sunglasses, this piece captures the very essence of punk and the raw edginess that defined Blondie's raw unedited early music.
Inspired by a hidden gem in Blondie's 1977 "Plastic Letters" album, this piece exudes rebellious punk rock attitude. Taking its name from the Oldsmobile 442, the infamous American muscle car, it tells the tale of a young rebel forced into the monotonous world of car assembly amid bleak imagery of concrete factories and assembly lines.
The collage style artwork featuring a vintage Detroit map and eye-catching Oldsmobile 442 marketing materials from the period forms the backdrop, while a re-imagined Blondie logo formed out of a single piece of glass glows in rebellious red neon at the artwork's base.
Below: Watch the official Blondie video for “Detroit 442” which inspired this piece.
Details: Traditional hand crafted clear glass vacuum tubes containing argon and neon gas. Mounted on mixed media brushed aluminium with a flawless high gloss finish.
Framed Size: 101cm x 101cm
Edition: Original edition of 3 + 1AP
About: This unique edition in magenta and white neon was Inspired by the 1979 Blondie classic "Sunday Girl" - the fourth single from their third studio album “Parallel Lines”, which was released in May 1979 in the UK and reached number one on the charts for 3 weeks. The hand pencil sketch which is the basis of the artwork is inspired by the single cover and the glass neon wording “Ice Cream” references the lyrics from the track “I know a girl from a lonely street, cold as ice cream but still as sweet'”.
Details: Traditional hand crafted clear glass vacuum tubes containing argon and neon gas. Mounted on mixed media brushed aluminium with a flawless high gloss finish.
Framed Size: 101cm x 101cm
Edition: Original edition of 1
About: This unique edition in aqua and white neon was Inspired by the 1979 Blondie classic "Sunday Girl" - the fourth single from their third studio album “Parallel Lines”, which was released in May 1979 in the UK and reached number one on the charts for 3 weeks. The hand pencil sketch which is the basis of the artwork is inspired by the single cover and the glass neon wording “Ice Cream” references the lyrics from the track “I know a girl from a lonely street, cold as ice cream but still as sweet'”.
Details: Traditional hand crafted clear glass vacuum tubes containing argon and neon gas. Mounted on mixed media brushed aluminium with a flawless high gloss finish.
Framed Size: 101cm x 101cm
Edition: Original edition of 5
About:
This neon print captures the electrifying energy of Freddie Mercury's iconic "Bohemian Rhapsody." The image of Freddie, surrounded by lightning, evokes the song's tempestuous atmosphere. Hidden details, like a Galileo sketch and a couple dancing the fandango, pay homage to the song's intricate composition. The centerpiece, the band's name in neon lights, celebrates Queen's legacy.
Below: Watch the Queen “Bohemian Rhapsody” video from 1976 which inspired this piece.
Details: Traditional hand crafted clear glass vacuum tubes containing argon and neon gas. Mounted on mixed media brushed aluminium with a flawless high gloss finish.
Framed Size: 101cm x 101cm
Edition: Original edition of 3 + 1AP
About:
This artwork pays homage to the timeless 80’s anthem "Radio Gaga" by Queen, which captures the nostalgic power of radio and its ability to unite people through music. The artwork draws inspiration from the music video for "Radio Gaga" and features a backdrop of Fritz Lang's classic 1930’s film "Metropolis."
The futuristic art-deco cityscape, bustling with cars and people, sets the stage for Fred Mercury as the focal point, commanding attention with his charismatic presence. Encircled by a radiant deep turquoise neon tube, he symbolizes the electrifying energy of the iconic track.
However, it is the strikingly illuminated 20th century radio station mast that commands the central spot in this artwork. The word "Gaga," rendered in vibrant orange neon, is the crowning jewel of the piece.
Below: Watch the Queen “Radio Gaga” video from 1984 which inspired this piece.
Details: Traditional hand crafted clear glass vacuum tubes containing argon and neon gas. Mounted on mixed media brushed aluminium with a flawless high gloss finish.
Framed Size: 101cm x 101cm
Edition: Original edition of 3 + 1AP
About: George Michael rose to fame as a member of the music duo Wham! and later embarked on a successful solo career. He sold over 80 million records worldwide making him one of the best-selling music artists of all time. This piece was inspired by his infamous LA public toilet incident and the music video for the 1998 single “Outside” which featured him dancing around a urinal in a nightclub. The dark colour scheme and red neon evoke the ambiance of a nightclub setting.
Details: Traditional hand crafted clear glass vacuum tubes containing argon and neon gas. Mounted on mixed media brushed aluminium with a flawless high gloss finish.
Framed Size: 101cm x 101cm
Edition: Original edition of 5
About:
"Faith" was released in October 1987 as the title track from George Michaels’s debut album of the same name. It held the number-one position on the Billboard Hot 100 chart for four weeks and was the number-one single of the year in the United States in 1988. The song also reached number two on the UK Singles Chart.
The artwork features a side profile of George Michael, his gaze fixated on a vibrant neon religious cross. The neon flawlessly weaves the title of the track, "FAITH," into its intricate glass design.
As you delve deeper into the artwork, you'll discover vintage print elements, paying homage to the track that took the world by storm. From the legendary BSA logo, prominently featured on George's leather jacket and a silhouette of the maestro himself gripping a guitar that echoes the imagery of the music video. The artwork also tastefully incorporates a cross-shaped fusion of a guitar and dance diagram steps, also influenced by early Andy Warhol works.
The backdrop of the piece is adorned with an intricate map of West London, an homage to Sarm West studios where the magic of "Faith" was first captured.
Below: Watch the official video for “Faith” which inspired this piece.
Details: Traditional hand crafted clear glass vacuum tubes containing argon and neon gas. Mounted on mixed media brushed aluminium with a flawless high gloss finish.
Framed Size: 101cm x 101cm
Edition: Original edition of 3
About: This limited edition was inspired by the track “Rock N Roll Suicide” from the Ziggy Stardust album of 1972. It references “Gitane” French cigarettes that Bowie was famous for smoking in the 70’s and 80’s. It depicts smoke drifting out of a pair of lips in the French tricolour. The main image is based on the original mugshot of David Bowie who was arrested on March 21, 1976, after a performance in Rochester, New York. About half a pound of a “certain substance that you smoke” was confiscated by the police. Bowie was held with three others including Iggy Pop, for several hours and then released on $2,000 bond. Bowie later pleaded not guilty and a grand jury decided to pass on the case.
Details: Traditional hand crafted glass vacuum tubes containing argon and neon gas. Mounted on mixed media brushed aluminium with a flawless high gloss finish.
Framed Size: 84cm x 124cm
Edition: Original edition of 10
About: This artwork evokes the live "Space Oddity" performance by David Bowie during his 1974 North American Diamond Dogs tour , where he was often elevated above the audience on a cherry picker, singing into a phone prop as Major Tom reaching out into the void.
With his signature flame-orange hair, mint-green shirt, red braces, and bright blue trousers, he sits on stage holding the red telephone to his ear, a traditional symbol of urgent communication - his eyes closed in quiet reflection.
The central themes of the song / performance are isolation, alienation, and detachment. Major Tom’s physical separation from Earth mirrors emotional or psychological disconnection: from society, relationships, purpose, or even one’s sense of self. The final lines convey a calm, almost accepting resignation in the face of the vast unknown (“Planet Earth is blue / And there’s nothing I can do”)
Set against the backdrop of Planet Earth in a star-filled cosmos and illuminated by dramatic stage spotlights, the image preserves the vibe of Bowie’s theatrical 1974 presence. In this artwork, the red phone becomes a hotline to the Divine, while Bowie holds a rosary in his free hand, transforming the call into a personal conversation with something greater.
Medium: Mixed media digital art
Colour: Full HD colour
Materials: White Aluminium with high gloss finish
Size: 98×98cm Framed
Edition: Original 1/1 signed
Frame: Italian Oak Veneer frame with a precision machined natural aluminium finishing strip.