Spiritual Art

About: This artwork evokes the live "Space Oddity" performance by David Bowie during his 1974 North American Diamond Dogs tour , where he was often elevated above the audience on a cherry picker, singing into a phone prop as Major Tom reaching out into the void.

With his signature flame-orange hair, mint-green shirt, red braces, and bright blue trousers, he sits on stage holding the red telephone to his ear, a traditional symbol of urgent communication - his eyes closed in quiet reflection.

The central themes of the song / performance are isolation, alienation, and detachment. Major Tom’s physical separation from Earth mirrors emotional or psychological disconnection: from society, relationships, purpose, or even one’s sense of self. The final lines convey a calm, almost accepting resignation in the face of the vast unknown (“Planet Earth is blue / And there’s nothing I can do”)

Set against the backdrop of Planet Earth in a star-filled cosmos and illuminated by dramatic stage spotlights, the image preserves the vibe of Bowie’s theatrical 1974 presence. In this artwork, the red phone becomes a hotline to the Divine, while Bowie holds a rosary in his free hand, transforming the call into a personal conversation with something greater.

Medium: Mixed media digital art

Colour: Full HD colour

Materials: White Aluminium with high gloss finish

Size: 98×98cm Framed

Edition: Original 1/1 signed

Frame: Italian Oak Veneer frame with a precision machined natural aluminium finishing strip.

About: "Like a Prayer," released in 1989, is one of Madonna’s most iconic and controversial hits, serving as the lead single from her fourth studio album of the same name. The song, blending pop, gospel, and rock elements, was a commercial success, topping charts worldwide and solidifying Madonna’s status as a cultural icon. "Like a Prayer" explores the intersection of spirituality and sexuality, with Madonna using religious metaphors to convey intense personal devotion.

In the portrait Madonna is pictured in a large Catholic Church kneeling at the altar with a microphone in her hands, inspired by her performance of the track in concert in 1990 during her “Blonde Ambition” tour which became one of her most iconic visual looks. In the background two neon signs are hanging from large wooden crosses with the lyrics from the track: “I’m down on my knees, I wanna take you there” encapsulating the duality of both praying and romantic longing.

Medium: Mixed media artwork by Louis Sidoli

Materials: Print on aluminium  

Size: 80cm x 80cm (82 × 82cm Framed)

Edition: 5 signed and numbered

Frame: Artwork float mounted in a 6mm wide, 30mm deep walnut frame with a 4 mm shadow gap.

Media: Watch Madonna perform "Like A Prayer" on Blonde Ambition Tour 1990":

About: "Faith" was released in October 1987 as the title track from George Michaels’s debut album of the same name. It held the number-one position on the Billboard Hot 100 chart for four weeks and was the number-one single of the year in the United States in 1988. The song also reached number two on the UK Singles Chart.

The artwork features a side profile of George Michael, his gaze fixated on a vibrant neon religious cross. The neon flawlessly weaves the title of the track, "FAITH," into its intricate glass design.

As you delve deeper into the artwork, you'll discover vintage print elements, paying homage to the track that took the world by storm. From the legendary BSA logo, prominently featured on George's leather jacket and a silhouette of the maestro himself gripping a guitar that echoes the imagery of the music video. The artwork also tastefully incorporates a cross-shaped fusion of a guitar and dance diagram steps, also influenced by early Andy Warhol works.
The backdrop of the piece is adorned with an intricate map of West London, an homage to Sarm West studios where the magic of "Faith" was first captured.

Medium: Photographic print of original neon artwork

Materials: Aluminium  

Size: 80cm x 80cm (82 × 82cm Framed)

Edition: 5 signed and numbered

Frame: Artwork float mounted in a 6mm wide, 30mm deep walnut frame with a 4 mm shadow gap.

Media: Watch George Michael music video for “faith” :

About:This portrait reworks the classic image of ‘Saint Sebastian’ as modern football legend: Cristiano Ronaldo dos Santos Aveiro, nicknamed CR7. In classical paintings such as the Italian Early Renaissance master Andrea Mantegna, Sebastian is tied to a column, shot full of arrows for staying true to his Christian faith under a Roman emperor who hated Christians.

Here, Ronaldo takes Sebastian's place – tied to the goalpost at Old Trafford (The Alex Ferguson Stand in the background) Arrows pierce his body, each fletched with tabloid newspaper clippings labeled with words such as "Overpaid," "Diva," "Toxic," "Washed," "Penaldo," and "Ego." They're the shots fired by the press, media, rival fans, and critics who've slated him over the years, especially during his second stint at Manchester United (2021–2022), when the criticism ramped up against him.

The shadowy figures in the foreground are the tabloid "archers" taking their potshots. But Ronaldo stays upright, staring ahead - unbreakable. Into his 40s, he keeps scoring, breaking records, and proving he's the GOAT. Just like Sebastian who survived the arrows, Ronaldo bounces back stronger. This portrait is not just for United or Ronaldo fans. It’s about resilience - standing tall when you are facing criticism and betrayal but never giving up!

Medium: Mixed media print by Louis Sidoli

Colour: Black halftone print on red aluminium

Materials: Brushed aluminium with high gloss finish

Size: 96cm x 143cm Framed

Edition: 7 signed and numbered

Frame: Artwork float mounted in a 6mm wide, 30mm deep walnut frame with a 4 mm shadow gap.

About: The Shroud of Turin is arguably the most iconic and studied image in human history — the greatest icon of all time. It is not a painting. It is a photographic negative created in a single, instantaneous burst of immense energy. Scientific research, including studies from the ENEA laboratory in Italy, estimates that the image was formed by a powerful ultraviolet flash delivering several billion watts of energy in a fraction of a second — a burst so intense it encoded a precise, three-dimensional image into the linen cloth 0.2 microns thick, without scorching or penetrating the fibres. This supernatural event occurred at the exact moment of Christ’s resurrection and which modern power and technology cannot replicate.

Adding to its authenticity, the cloth contains the exact blood type of Jesus and hundreds of pollen grains from plants that grow exclusively in the Jerusalem area — strong botanical evidence linking it to the location of the resurrection. Further scientific analysis of the bloodstains on the cloth has identified them as human blood of type AB — the same rare blood type found on other relics associated with the Passion, such as the Sudarium of Oviedo.

“In this work I have taken the ancient relic and re-made it in a 21st century medium - aluminium, so the resurrection energy can be felt again.” Louis Sidoli

Medium: Photographic negative print

Colour: Black halftone on ‘flame orange’ aluminium

Materials: Brushed aluminium with high gloss finish

Size: 86cm x 146cm Framed

Edition: 3 signed and numbered

Frame: Artwork float mounted in a 6mm wide, 30mm deep walnut frame with a 4 mm shadow gap.