About: The Shroud of Turin is arguably the most iconic and studied image in human history — the greatest icon of all time. It is not a painting. It is a photographic negative created in a single, instantaneous burst of immense energy. Scientific research, including studies from the ENEA laboratory in Italy, estimates that the image was formed by a powerful ultraviolet flash delivering several billion watts of energy in a fraction of a second — a burst so intense it encoded a precise, three-dimensional image into the linen cloth 0.2 microns thick, without scorching or penetrating the fibres. This supernatural event occurred at the exact moment of Christ’s resurrection and which modern power and technology cannot replicate.
Adding to its authenticity, the cloth contains the exact blood type of Jesus and hundreds of pollen grains from plants that grow exclusively in the Jerusalem area — strong botanical evidence linking it to the location of the resurrection. Further scientific analysis of the bloodstains on the cloth has identified them as human blood of type AB — the same rare blood type found on other relics associated with the Passion, such as the Sudarium of Oviedo.
“In this work I have taken the ancient relic and re-made it in a 21st century medium - aluminium, so the resurrection energy can be felt again.” Louis Sidoli
Medium: Photographic negative print
Colour: Black halftone on ‘flame orange’ aluminium
Materials: Brushed aluminium with high gloss finish
Size: 86cm x 146cm Framed
Edition: 3 signed and numbered
Frame: Artwork float mounted in a 6mm wide, 30mm deep walnut frame with a 4 mm shadow gap.
About: The Shroud of Turin is arguably the most iconic and studied image in human history — the greatest icon of all time. It is not a painting. It is a photographic negative created in a single, instantaneous burst of immense energy. Scientific research, including studies from the ENEA laboratory in Italy, estimates that the image was formed by a powerful ultraviolet flash delivering several billion watts of energy in a fraction of a second — a burst so intense it encoded a precise, three-dimensional image into the linen cloth 0.2 microns thick, without scorching or penetrating the fibres. This supernatural event occurred at the exact moment of Christ’s resurrection and which modern power and technology cannot replicate.
Adding to its authenticity, the cloth contains the exact blood type of Jesus and hundreds of pollen grains from plants that grow exclusively in the Jerusalem area — strong botanical evidence linking it to the location of the resurrection. Further scientific analysis of the bloodstains on the cloth has identified them as human blood of type AB — the same rare blood type found on other relics associated with the Passion, such as the Sudarium of Oviedo.
“In this work I have taken the ancient relic and re-made it in a 21st century medium - aluminium, so the resurrection energy can be felt again.” Louis Sidoli
Medium: Photographic negative print
Colour: Black halftone on ‘flame orange’ aluminium
Materials: Brushed aluminium with high gloss finish
Size: 86cm x 146cm Framed
Edition: 3 signed and numbered
Frame: Artwork float mounted in a 6mm wide, 30mm deep walnut frame with a 4 mm shadow gap.